NANOART AT SAN FEDELE GALLERY - Milan, oct 2006

It was our first chance to show a nanoart piece: october 2006, SAN FEDELE VISUAL ART COMPETITION, San Fedele Gallery, Milan.
We presented BEYOUND HERCULES COLUMNES, and we classified at the 3rd place.

NANOART 1st EXHIBIT - BERGAMO

This is the ad - published on FlashArt - of our first personal NAN°ART exhibit:
2 - 21 october 2007, Bergamo, Italy

Well'show 6 new pieces, included the first one, Beyound Hercules columns.

With the partecipation of Grit Ruhland.

Curator: Stefano Raimondi
Catalogue: Skira

NANOART - The team

Ok, this is the Phds team from Politecnico di Torino, Phyics Dept., that help us to realize nanoartworks:

Giancarlo Canavese
Alessandro Chiolerio
Gabriele Maccioni
Giacomo Piacenza
Samy Strola

And many thanks to the 'boss', prof. Fabrizio Pirri. We still dont have a picture...

NANOART - BEYOND HERCULES COLUMNS

BEYOND HERCULES COLUMNS
Alessandro Scali e Robin Goode, 2006
in collaboration with Politecnico di Torino, Physics Dept.
201um x 84um (um being micrometres).
Mounted on a silicon plate 20x20mm.
4 x b/w coal prints. 60x80cm (SEM - Scanning Electron Microscope - images).

A series of human imprints lithographed onto a piece of silicon. It represents a journey of a man into an unknown world. A journey that breaches new frontiers and borders. Its a desire to be suprised by the unknown, to witness an undisclosed beauty. The voyage beyond Hercules Columns parts from our reality to an infinitely small one. An invisible reality, yet one that exists.

NANOART

NANOART
An artistic project by Alessandro Scali & Robin Goode
With the collaboration of Politecnico di Torino, Phisics Department

Nanoart is a new frontier, a new boundary, a new media by which we can create and communicate. Nanoart starts from the relationship between art and nanotechnology. We have searched to create an aesthetic paradox: a piece of art that you can never see. Yet that exists and carries a message.

LA CITTA' CHE SALE - Exhibit in Bergamo

LA CITTA' CHE SALE EXHIBIT
Bergamo, Italy, 2006

EPIDEMIA 1 - Exhibit in Turin

EPIDEMIA 1 EXHIBIT
Turin, Italy, october 2005

CAZZOBALILLA

CAZZOBALILLA
Alessandro Scali e Robin Goode, 2006
cm. 143,5 x 87 x 75
Wood, aluminium, resin

Created for the ‘Epidemia 2’ exhibition in Turin, Italy. Cazzobalilla is a fuseball machine with players that have been modified into penises. The goal features a vagina with legs spread open in a erotic pose. This sculpture represents the age old battle of the male species over the female.

HEAL ME

HEAL ME
Alessandro Scali e Robin Goode, 2006
Television, plasters
cm. 44,5 x 29 x 33

Heal me is a frail attempt to heal the impossible: all the wars, terror and inhumane acts that are televised on the news.

INSIGNIFICANCE V - ASHTRAY

INSIGNIFICANCE V - ASHTRAY
Alessandr Scali e Robin Goode, 2005

INSIGNIFICANCE IV - CLAW MACHINE

INSIGNIFICANCE IV - CLAW MACHINE
Alessandro Scali e Robin Goode, 2005

INSIGNIFICANCE III - LIGHT

INSIGNIFICANCE III - LIGHT
Alessandro Scali e Robin Goode, 2005
cm. 143,5 x 114

INSIGNIFICANCE II - SCALE

INSIGNIFICANCE II - SCALE
Alessandro Scali e Robin Goode, 2005
cm 103,5 x 143,5

INSIGNIFICANCE I - TABLE

INSIGNIFICANCE I - TABLE
Alessandro Scali e Robin Goode, 2004
cm. 143, 5 x 103,5

With the desire to create art that has a social bearing and value, the project is a study on the insignificance of the human form in contemporary society. The works were created over two years and analyse, through synthetic and surreal imagery, this devalued state. The project contains 5 subjects: ‘Table’, ‘Scale’, ‘Light’, ‘Claw machine’ and ‘Ashtray’.

HUNGER II

HUNGER II
Alessandro Scali e Robin Goode, 2003
cm. 143,5 x 103
Lamba prints, mounted in aluminium sheets

HUNGER I

HUNGER I
Alessandro Scali e Robin Goode, 2003.
cm. 143,5 x 103
Lamba prints, mounted in aluminium sheets

Created for the ‘Energias renovadas’ exhibition in Madrid. February 2004. All artists were asked a question: ‘What energy drives you to create?’. Our response was ‘Hunger’. Hunger to taste and understand who we really are and what were made of. The exhibition was held at the Culturale Conde Duque di Madrid.